Paper Sculpture Poster

Using the uploaded photo as the only reference, make a 3:4 vertical before-and-after poster of "real photography + parametric layered paper terrain sculpture" — one image, one design, no collage. The frame is strictly split top and bottom: the top ~49% is a real photograph, the bottom ~51% is the same scene translated into a 3D paper sculpture of vertical paper slices, isometric sections and honeycomb paper layers. Top and bottom keep the same subjects, count, direction, position, proportions, occlusion and spatial relationships. The whole thing blends documentary photography, parametric design, paper sculpture and editorial design: quiet, restrained, collectible.

[Top | real photograph] Stay faithful to the reference. Recognise people, animals, buildings, vehicles, plants, objects, mountains and water, sky and water surfaces, and keep their identity, shape, pose, orientation, proportion, position, viewpoint, perspective, background, light, shadows, reflections and signature colours. No mirroring, stretching, cropping off, adding, removing or rebuilding. Match the photo's own lens language — wide, standard, short telephoto or aerial — and keep its depth of field, ambient light, HDR, real materials, film grain and magazine-photo feel; sunsets, backlight, rain, fog and night scenes stay as they are. To fit 3:4 you may extend sky, ground, water or background naturally, without changing the logic of the scene.

[Bottom | parametric layered paper] The background is a heavy warm-ivory, cream or pale beige art paper with visible fibre, grain, embossing and a matte finish. Translate the same scene, in the same spatial arrangement, into a continuous 3D landscape built from hundreds to thousands of ultra-thin vertical paper slices packed densely in parallel, with the feel of laser-cut paper sculpture, honeycomb paper, contour-line terrain and architectural section models. Slice height, density and colour follow the photo: the main subject is taller, denser and most recognisable, the background lower, sparser and more abstract. Colours are taken from the photo's main, secondary and accent colours — paper white and pale sheets for highlights, dark sheets for shadows — with real paper thickness, fibrous cut edges and natural gaps. Any people or animals must stay in the bottom half as small paper-slice silhouettes in their original position, direction, proportion and pose, never dropped or enlarged. Light it with a soft top light plus a little side light for ambient occlusion, global illumination, soft contact shadows and light glowing through the edges, bringing out the layering and paper volume. Avoid any look of fabric, plastic, carved wood, ceramic, metal or glass.

[Text] In the empty space of the bottom half, write two groups of minimal English copy about the photo's subject, place, time and mood: a three-line upper-case sans-serif main line at top left, and a smaller four-line supporting line at top right or along the right side with a short dash. Write it fresh for this image, no stock phrases; wide letter-spacing, dark grey or charcoal, no other text.

Overall, tell the visual story of "the real world sliced into countless layers of paper and growing back". Avoid duplicated or missing subjects, wrong directions, top and bottom that fail to match, paper slices too thick or too few, a photo-like copy in the bottom half, cartoon, anime, chibi, garbled text, logos and watermarks.